I don't look at a knife the way I used to. I'm more aware of what it is. I think twice. This is a key finger. It's in every chord.
Neil YoungRead
The '60s was one of the first times the power of music was used by a generation to bind them together.
Interpretation
The quote highlights the unifying power of music during the 1960s.
Neil Young's reflection on the 1960s emphasizes how music emerged as a significant force for social unity and solidarity among a generation. During this period, songs and anthems became rallying cries for various movements, allowing individuals to connect over shared ideals and experiences, fostering a sense of community and purpose.
In practice
In a discussion about the impact of music on social movements, this quote can illustrate how music has historically brought people together.
I don't look at a knife the way I used to. I'm more aware of what it is. I think twice. This is a key finger. It's in every chord.
I don't force it. If you don't have an idea and you don't hear anything going over and over in your head, don't sit down and try to write a song. You know, go mow the lawn...My songs speak for themselves.
In a Ramada Inn near the grapevine, they stop to rest for the night. Traveling down south, looking for good times. Visiting old friends feels right.
Link Wray... He was the beginning of Grunge, way before anybody you know.
I dreamed I saw the silver spaceships flying in the yellow haze of the sun. There were children crying and colors flying all around the chosen ones.
It's better to burn out, than to fade away.
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
The way I feel today, as long as my health is good and I can handle myself well and people still come to my concerts, still buy my CDs, I'll keep playing until I feel like I can't.
I love to play. And fortunately, I don't know a lot of musicians that suck. I know a bunch of really good ones, and they're always up for playing.
As for my stuff, I'm just doing guest verses for other people's records. I try to stay recording, because if I don't, I get rusty.
Orchestras are like people. They're the sonic embodiment of their community.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
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