I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Antonin ArtaudRead
The actor is an athlete of the heart.
Interpretation
The quote highlights the emotional vigor and dedication required in acting, likening it to the physical demands of athletics.
Antonin Artaud's quote, 'The actor is an athlete of the heart,' suggests that performing arts, particularly acting, require intense emotional labor and resilience akin to the physical exertion needed in sports. It emphasizes that an actor must train and condition their emotional responses to connect authentically with their roles, much like an athlete hones their physical capabilities to excel in sports.
In practice
During a theater workshop, I quoted Artaud to inspire actors to dive deeper into their emotional performances.
I have need of angels. Enough hell has swallowed me for too many years. But finally understand this--I have burned up one hundred thousand human lives already, from the strength of my pain.
Cruelty in the theatre is unrelenting decisiveness, diligence, strictness.
I myself spent nine years in an insane asylum and I never had the obsession of suicide, but I know that each conversation with a psychiatrist, every morning at the time of his visit, made me want to hang myself, realizing that I would not be able to cut his throat.
If our life lacks a constant magic it is because we choose to observe our acts and lose ourselves in consideration of their imagined form and meaning, instead of being impelled by their force.
It is thus that the few rare lucid well-disposed people who have had to struggle on the earth find themselves at certain hours of the day or night in the depth of certain authentic and waking nightmare states, surrounded by the formidable suction, the formidable oppression of a kind of civic magic which will soon be seen appearing openly in social behavior.
A real theatrical experience shakes the calm of the senses, liberates the compressed unconscious and drives towards a kind of potential revolt . . .
Now I realize that from '72 through to about '76, I was the ultimate rock star. I couldn't have been more rock star.
I'll give you the whole secret to short story writing. Here it is. Rule 1: Write stories that please yourself. There is no Rule 2.
After playing Chopin, I feel as if I had been weeping over sins that I had never committed, and mourning over tragedies that were not my own. Music always seems to me to produce that effect. It creates for one a past of which one has been ignorant, and fills one with a sense of sorrows that have been hidden from oneβs tears.
I talk about life, and I make universal music with an American style - and that's what I do.
That's another pompous expression that is out of fashion, to say that poetry is a gift. It sounds pompous because you say, 'Who gave you the gift, and what is this gift?' And the gift is where I am; the gift is what I have come out of, the people around me who, I think, are beautiful people.
Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.
Subscribe for the occasional hand-picked quote. No noise.