It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
Emma ThompsonRead
If you're actually allowing your creative part to control your writing rather than a more commercial instinct or motive, then you'll find that all sorts of interesting things will bubble up to the surface.
Interpretation
Embrace your creativity over commercial motives for authentic and unique writing.
Emma Thompson emphasizes the importance of letting creativity lead the writing process rather than being driven by commercial interests. When writers prioritize their creative instincts, they enable richer and more original ideas to come forth, resulting in works that are not only interesting but also authentic.
In practice
During a workshop, I might use this quote to encourage writers to focus on their unique voice rather than market trends.
It’s about time a 55-year-old British woman is the heroine of an action movie. I may have to write it.
If you've got to my age, you've probably had your heart broken many times. So it's not that difficult to unpack a bit of grief from some little corner of your heart and cry over it.
Sometimes I get to put on posh frocks and be Madam Glamour, the vendor of my wares. My lovely friend Kath, a stylist, puts me into things I'd never dream of. But my real life is very different. It's very, very home-based - an intense domestic life, that's the core of everything.
Just write. It doesn't matter what you write. Just sit at your desk and write.
I think books are like people, in the sense that they'll turn up in your life when you most need them.
Can he love her? Can the soul really be satisfied with such polite affections? To love is to burn - to be on fire, like Juliet or Guinevere or Eloise.
TV is chewing gum for the eyes.
History repeats itself, but the special call of an art which has passed away is never reproduced. It is as utterly gone out of the world as the song of a destroyed wild bird.
Math and music are intimately related. Not necessarily on a conscious level, but sure.
My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
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