I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
Joan RiversRead
My career is as an actress. I am an actress playing a comedienne.
Interpretation
Joan Rivers emphasizes the duality of her identity as both an actress and a comedienne.
In this quote, Joan Rivers highlights the intricate nature of her professional identity, distinguishing between her role as an actress and her performance as a comedienne. It suggests that her career involves a complex interplay between different personas, reflecting the multifaceted nature of artistry and performance in entertainment.
In practice
This quote can be used in discussions about the complexities of performing arts at a theater seminar.
I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
I enjoy life when things are happening. I don't care if it's good things or bad things. That means you're alive.
Life goes by fast. Enjoy it. Calm down. It's all funny.
Life is so tough. I don't know how old you are, but I've seen so much in a wink. One phone call and your life is changed forever. We all know that. You better laugh at everything.
I walk on a stage, and I know if it's been a good show or not. You know when it's been a good interview. No one has to tell you. You know it. You feel it. You can feel the air. You can feel everything about it when it's a good show. And you know when you've messed up.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
Making a movie is a network of decisions that keep multiplying as you go. You leave a trail of decisions behind you, and that's how you start to see the shape of what you've done. When you get far enough, you turn around and say, 'Ha, that's the movie.' It's only then that you find out if it's going to work or not.
You want the story to be about something, have some deeper meaning, but there is also an emotional, almost instinctual, element, which is, does this story seize some part of you and compel you to get to the bottom of it?
I wanted to be in a punk band before I had even heard any punk music.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
I don't write my music for Sony. I write it for the people who are screaming down_x000D_ the road crying to a full-blast stereo.
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