I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
Joan RiversRead
I walk on a stage, and I know if it's been a good show or not. You know when it's been a good interview. No one has to tell you. You know it. You feel it. You can feel the air. You can feel everything about it when it's a good show. And you know when you've messed up.
Interpretation
The quote emphasizes the intuitive nature of performance and the immediate feedback one receives from their audience.
Joan Rivers highlights the instinctive understanding performers have about their craft, particularly when they have executed well or poorly. This sentiment reflects the experiential knowledge gained through performance, where subtle cues from the environment and audience can reveal the success of the show, making it clear to the performer themselves without the need for external validation.
In practice
A performer might use this quote when discussing their latest comedy show to illustrate the importance of audience reaction.
I must admit I am nervous about getting Alzheimer's. Once it hits, I might tell my best joke and never know it.
"I've learned what's funny verbally ain't so funny on e-mail: They don't hear your intonations. Melissa broke up with somebody over that. She tried to tell him: "That was a joke!" But he just didn't get it. Mick Jagger said, "F- 'em if they don't get the joke." And I love him. That comes with age: Knowing it's their problem, not mine."
I enjoy life when things are happening. I don't care if it's good things or bad things. That means you're alive.
Life goes by fast. Enjoy it. Calm down. It's all funny.
Life is so tough. I don't know how old you are, but I've seen so much in a wink. One phone call and your life is changed forever. We all know that. You better laugh at everything.
I would not want to live if I could not perform. It's in my will. I am not to be revived unless I can do an hour of stand-up.
In our hurried world too little value is attached to the part of the connoisseur and dilettante.
For two extraordinary years I have been working on it - learning to write - but mostly learning how to tell the truth. At first it is quite impossible. You make yourself better than anybody, then worse than anybody, and when you finally come to see you are "like" everybody - that is the bitterest blow of all to the ego. But in the end it is only the truth, no matter how ugly or shameful, that is right, that fits together, that makes real people, and strangely enough - beauty.
Nothing is less real than realism. Details are confusing. It is only by selection, by elimination, by emphasis, that we get at the real meaning of things.
Fiction is a piece of truth that turns lies to meaning.
The film is made in the editing room.
Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.
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