The headline is the 'ticket on the meat.' Use it to flag down readers who are prospects for the kind of product you are advertising.
David OgilvyRead
What you say in advertising is more important than how you say it.
Interpretation
The content of advertising messages holds greater significance than the stylistic presentation.
David Ogilvy emphasizes that the message conveyed in advertising carries more weight than the methods used to express that message. In a world saturated with promotional content, it is the clarity, relevance, and impact of the words chosen that ultimately resonate with the audience and drive successful engagement.
In practice
During a marketing seminar, you could quote Ogilvy to emphasize the importance of focusing on impactful messaging.
The headline is the 'ticket on the meat.' Use it to flag down readers who are prospects for the kind of product you are advertising.
Our business is infested with idiots who try to impress by using pretentious jargon.
Some manufacturers illustrate their advertisements with abstract paintings. I would only do this if I wished to conceal from the reader what I was advertising.
Much of the messy advertising you see on television today is the product of committees. Committees can criticize advertisements, but they should never be allowed to create them.
The best ideas come as jokes. Make your thinking as funny as possible.
Experience has taught me that advertisers get the best results when they pay their agency a flat fee. It is unrealistic to expect your agency to be impartial when its vested interest lies wholly in the direction of increasing your commissionable advertising.
Personalizatio n wasn't supposed to be a cleverly veiled way to chase prospects around the web, showing them the same spammy ad for the same lame stuff as everyone else sees. No, it is a chance to differentiate at a human scale, to use behavior as the most important clue about what people want and more important, what they need.
Properly practiced creativity must result in greater sales more economically achieved. Properly practiced creativity can lift your claims out of the swamp of sameness and make them accepted, believed, persuasive, urgent.
Kodak sells film, but they don't advertise film; they advertise memories.
People don't buy drills they buy holes
Great marketers don't make stuff. They make meaning.
Persuasion has become a kind of force. The more the advertiser knows about what consumers want, and the more desires the product and packaging seek to fulfill, the more coercive the force.
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