My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
I hate that aesthetic game of the eye and the mind, played by these connoisseurs, these mandarins who "appreciate" beauty. What is beauty, anyway? There's no such thing. I never "appreciate," any more than I "like." I love it or I hate.
Interpretation
Picasso challenges the superficial appreciation of beauty, asserting that it is a subjective experience tied to deep emotions.
In this quote, Pablo Picasso critiques the notion of beauty as something that can be objectively analyzed or appreciated without emotional involvement. He expresses disdain for those who merely 'appreciate' art without feeling a genuine connection, emphasizing that true engagement with art involves profound emotions of love or hate, rather than detached admiration.
In practice
This quote is perfect for a discussion on the role of emotions in art appreciation during an art class.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
It's always funny to me when people use the phrase 'Best guitar player in the world'. There are too many variables such as technique, uniqueness, emotional investment in the notes, etc. But If I had to pick one, it would be Tommy Emmanuel. Watching him perform can be a study in artistic and virtuosic human achievement.
But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.
I like fashion to go down to the street, but I can't accept that it should originate there.
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
When you're traveling constantly, every day you become inspired, and it shows in my work, sonically, lyrically, visually. Conversations with women with different accents and stories told in those accents. I like to create characters based on different people I've met, and relationships. I like to tell stories loosely based on real-life events.
Only write to me, write to me, I love to see the hop and skip and sudden starts of your ink.
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