Go forward with joyful confidence.
George EliotRead
It is always fatal to have music or poetry interrupted.
Interpretation
Interrupting music or poetry destroys the emotional experience they provide.
This quote by George Eliot emphasizes the idea that music and poetry are powerful forms of expression that convey deep emotions and thoughts. Interruptions can disrupt the flow and impact of these art forms, leaving the audience with a sense of incompleteness or frustration, thus diminishing the overall impact and beauty they provide.
In practice
During a public reading, one could quote this to emphasize the importance of uninterrupted storytelling.
Go forward with joyful confidence.
You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well.
She thought it was part of the hardship of her life that there was laid upon her the burthen of larger wants than others seemed to feel β that she had to endure this wide hopeless yearning for that something, whatever it was, that was greatest and best on this earth.
Life seems to go on without effort when I am filled with music.
I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs and ideas into my brain. Life seems to go on without effort, when I am filled with music.
Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they know all our penitence, all our aching sense that their place is empty, all the kisses we bestow on the smallest relic of their presence.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
I hate the idea of theatre just being an evening pastime. It should be emotionally and intellectually demanding. I love football. The level of analysis that you listen to on the terraces is astonishing. If people did that in the theatre... but they don't. They expect to sit back and not participate.
I'm lucky enough to be able to make only movies I'm interested in seeing. That has to be an instinctive thrust. The audience knows when you're faking it. They can hang any kind of moniker they want on me.
No matter how many times you do it, you don't get used to the sadness - for me at least - of coming to the end of a film.
I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
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