Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Tim BurtonRead
I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.
Interpretation
The quote reflects on the unique and personal nature of stop-motion animation, highlighting its artistic value and the solitude in creating it.
Tim Burton shares his childhood fascination with stop-motion animation, emphasizing its distinctive qualities compared to other forms of animation. He expresses a deep appreciation for the realism and meticulous lighting involved in the craft, while also recognizing the solitary and introspective aspects of pursuing such an art form, suggesting that it can evoke a sense of loneliness.
In practice
In a speech about the evolution of film techniques, one could use this quote to highlight the artist's journey in animation.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
Things that I grew up with stay with me. You start a certain way, and then you spend your whole life trying to find a certain simplicity that you had. It's less about staying in childhood than keeping a certain spirit of seeing things in a different way.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
Don't worry about how you 'should' draw it. Just draw it the way you see it.
I am the shadow on the moon at night/Filling your dreams to the brim with fright.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
Today the arts exist in isolation, from which they can be rescued only through the conscious, cooperative effort of all craftsmen. Architects, painters, and sculptors must recognize anew and learn to grasp the composite character of a building both as an entity and in its separate parts.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
The only weapons I ever had were my cello and my baton.
I see my finished platinum print (in the viewfinder) in all its desired qualities, before my exposure.
While I drew, and wept along with the terrified children I was drawing, I really felt the burden I am bearing. I felt that I have no right to withdraw from the responsibility of being an advocate.
The work that lasts over time is the work which still speaks to us when all contemporary interest in that work is extinct.
Subscribe for the occasional hand-picked quote. No noise.