Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
In America, the photographer is not simply the person who records the past, but the one who invents it.
Interpretation
This quote suggests that photographers play a crucial role in shaping narratives about the past through their images.
Susan Sontag's quote emphasizes the influential power of photographers in the interpretation and presentation of history. Rather than merely documenting events as they occurred, photographers actively curate and 'invent' the narratives that surround their subjects, thus shaping public perception and memory of the past.
In practice
In a discussion about the influence of art on society, one might reference this quote to illustrate how photography shapes historical narratives.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
The dream is not a map. A poem is not the territory. The dreamer reclines in a barbershop carpeted with Afro turf. In the dark some soul yells. It hurts to walk barefoot on cowrie shells.
I think all those actors from that generation, like Bogart - they were wonderful actors. They didn't act. They just came on and they did it, and the characters were wonderful.
I'm now making myself as scummy as I can. Why? I want to be a poet, and I'm working at turning myself into a seer. You won't understand any of this, and I'm almost incapable of explaining it to you. The idea is to reach the unknown by the derangement of all the senses. It involves enormous suffering, but one must be strong and be a born poet. It's really not my fault.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
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