Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
Uta HagenRead
Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often.
Interpretation
Theatre should reflect human experiences, which is rare and significant.
Uta Hagen emphasizes the idea that theatre is a medium for showcasing authentic human experiences and emotions. She suggests that true theatre occurs when the performance resonates with real-life events and feelings, making it a profound and meaningful form of art, though such instances may not happen often.
In practice
In a discussion about a recent play, one could say, 'Once in awhile, there's stuff that makes me say, That's what theatre's about.'
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself- and to do so takes AN INSATIABLE CURIOSITY ABOUT THE HUMAN CONDITION
If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
I got this idea of doing a really serious big work-it would be precisely like a novel, with a single difference: Every word of it would be true from beginning to end.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
Some things you know about, you know what the ingredients are - maybe not all of them. But it's up to you to put in the amount. It's up to the director to nag you until you get it right.
That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.
We live in the digital age and, unfortunately, it’s degrading our music, not improving it It’s not that digital is bad or inferior, it’s that the way it’s being used isn’t doing justice to the art. The MP3 only has 5 percent of the data present in the original recording. … The convenience of the digital age has forced people to choose between quality and convenience, but they shouldn’t have to make that choice.
We don't really want to think that the artist is only very skilled, that he has merely devoted his life to perfecting a certain set of intelligible skills.
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