Her beauty climbed the rolling slope, it came into the room, rustling ghost-like through the curtains.
Interpretation
The quote evokes the ethereal and captivating presence of beauty in an environment.
F. Scott Fitzgerald paints a vivid image of beauty as a dynamic and almost supernatural force that enhances a space. This quote illustrates how beauty can transform a mundane setting, creating an atmosphere charged with emotion and allure, resonating with the idea that beauty is both enchanting and fleeting.
In practice
This quote could be used in a speech about the impact of art in our lives.
Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
Photography is a form of time travel.
When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.
Art-making is not about telling the truth but making the truth felt
A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the βnot always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.
The hardest thing with musicians is getting them not to play.
I'd rather direct than produce. Any day. And twice on Sunday.
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