Free election of masters does not abolish the masters or the slaves.
Herbert MarcuseRead
Behind the aesthetic form lies the repressed harmony of sensuousness and reason
Interpretation
The quote suggests that beneath beauty lies a balance between emotion and logic.
Herbert Marcuse's quote implies that aesthetic forms in art and life are often shaped by a deep-seated harmony between our sensory experiences and rational thought. It highlights the interplay between passion and intellect, suggesting that true beauty arises from a synthesis of these elements rather than from a superficial or disconnected approach to aesthetics.
In practice
In a presentation about the role of art in society.
Free election of masters does not abolish the masters or the slaves.
Contemporary industrial society is now characterised more than ever by "the need for stupefying work where it is no longer a real necessity."
The existing liberties and the existing gratifications are tied to the requirements of repression: they themselves become instruments of repression.
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
By virtue of the way it has organized its technological base, contemporary industrial society tends to be totalitarian. For "totalitarian" is not only a terroristic political coordination of society, but also a non-terroristic economic-technical coordination which operates through the manipulation of needs by vested interests.
However, if "free choice" means more than a small selection between pre-established necessities, and if the inclinations and impulses used in work are other than those preshaped by a repressive reality principle, then satisfaction in daily work is only a rare privilege.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
Popularity is the crown of laurel which the world puts on bad art. Whatever is popular is wrong.
If I want to write a movie, I'll write a screenplay, but if I have an idea for a book, it's something that I think can only be done novelistically.
Media gatekeepers - editors, publishers, film studios and the like - need to begin investing in talent behind the scenes, developing and resourcing marginalized voices to tell their own stories. At the end of the day, it's about the story and what will enable the audience to truly see, understand, and know the life and times of the subject.
If I'm inspired to make a certain kind of song, I'm going to make that kind of song, no matter if it's what they know me as or think I am.
If you make your living writing, and you can't write anything, it's over. It's very frightening.
Subscribe for the occasional hand-picked quote. No noise.