I think that's one of the maybe under-discussed aspects of process - the difference between a good writing day and a bad one is the quality of the split-second decisions you made.
The best thing that ever happened to me is that nothing happened in writing. I ended up working for engineering companies, and that's where I found my material, in the everyday struggle between capitalism and grace. Being broke and tired, you don't come home your best self.
Interpretation
What this quote means
George Saunders reflects on how his life experiences outside of writing provided him with valuable material for his art.
In this quote, George Saunders emphasizes the importance of real-life experiences and challenges in shaping an artist's work. He suggests that the complexities of everyday life, particularly the dichotomy between capitalism and a sense of grace, are rich sources of inspiration and depth for storytelling. By acknowledging the struggles of being broke and tired, he recognizes that these hardships can influence one's creativity and authenticity, ultimately informing the stories that resonate with readers.
Themes
In practice
Example use cases
In a speech about the value of personal experience in creative writing.
More from George Saunders
All quotes →I still believe that capitalism is too harsh and I believe that, even within that, there is a lot of satisfaction and beauty if you happen to be one of the lucky ones, although that doesn't eradicate the reality of the suffering. It's all true at once, kind of humming and sublime.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
What a powerful thing to know: That one's own desires are mappable onto strangers; that what one finds in oneself will most certainly be found in The Other.
When you read a short story, you come out a little more aware and a little more in love with the world around you. What I want is to have the reader come out just 6 percent more awake to the world.
I don't think much new ever happens. Most of us spend our days the same way people spent their days in the year 1000: walking around smiling, trying to earn enough to eat, while neurotically doing these little self-proofs in our head about how much better we are than these other slobs, while simultaneously, in another part of our brain, secretly feeling woefully inadequate to these smarter, more beautiful people.
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While all artists are not chess players, all chess players are artists.
Do your art. But don't wreck your art if it doesn't lend itself to paying the bills. That would be a tragedy.
When one starts writing a book, especially a novel, even the humblest person in the world hopes to become Homer.
I consider tragedy the highest form of art.
I'm fairly certain when I die that the obituary will say, 'Author of 'Angels in America' dies.' Unless I'm completely forgotten, and then it won't say anything at all.
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.