The problem with taking offense is that it's really hard to figure out what to do with it after you're done using it. Better to just leave it on the table and walk away. Umbrage untaken quietly disappears.
Seth GodinRead
Not only are bloggers suckers for the remarkable, so are the people who read blogs.
Interpretation
Bloggers and their readers are attracted to exceptional and noteworthy content.
This quote by Seth Godin highlights the tendency of bloggers to seek out and share remarkable stories or experiences, resonating with the habits of their readers who are equally drawn to extraordinary content. It suggests that both creators and consumers of blogs thrive on engaging and unique material that stands out from the mundane.
In practice
This quote can inspire writers at a blog conference to focus on unique and engaging stories.
The problem with taking offense is that it's really hard to figure out what to do with it after you're done using it. Better to just leave it on the table and walk away. Umbrage untaken quietly disappears.
Not adding value is the same as taking it away.
Excellence isn’t about meeting the spec, it’s about setting the spec. It defines what the consumer sees as quality right this minute, and tomorrow, if you’re good, you’ll reset that expectation again
Living with doubt ... is almost always more profitable than living with certainty. _x000D_ People don't like doubt, so they pay money and give up opportunities to avoid it. _x000D_ Entrepreneurshi p is largely about living with doubt. If you need reassurance, you're giving up quite a bit to get it. On the other hand, if you can get in the habit of seeking out uncertainty, you'll have developed a great instinct.
The danger of the Web is that you can go from idea to public announcement in under ten minutes.
Art isn't only a painting. Art is anything that is creative, passionate and personal. Art is the unique work of a human being created to touch another. Art is created to have an impact, to change someone else.
The eagerness of a listener quickens the tongue of a narrator.
The American people want something terse, forcible, picturesque, striking - something that will arrest their attention, enlist their sympathy, arouse their indignation, stimulate their imagination, convince their reason, awaken their conscience.
I speak and speak, [...] but the listener retains only the words he is expecting. [...] It is not the voice that commands the story: it is the ear.
You need to tell the truth to the audience, or they will throw a brick through the TV. They'll turn you off.
The best defense against propaganda: more propaganda.
Words are such uncertain things, they so often sound well but mean the opposite of what one thinks they do.
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