When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
Judy BlumeRead
It's not just the books under fire now that worry me. It is the books that will never be written.
Interpretation
This quote emphasizes the importance of freedom of expression and the potential loss of knowledge and creativity due to censorship.
Judy Blume's quote reflects a deep concern for the consequences of restricting literature and ideas. While the immediate threat may seem to be the censorship of existing books, the greater issue lies in the uncreated works and untold stories that will never come to life due to fear, repression, or societal pressures. This underscores the vital role of creativity and the need to foster an environment where all voices can be heard and shared.
In practice
In a speech about the importance of intellectual freedom.
When I lock myself up to write, I cannot allow myself to think about the censor or the reviewer or anyone but my characters and their story!
What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.
What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.
Concentrate on how good if feels to be alive. No matter what. Just to see the color of the sky, just to smell the air, and feel the wind in your face
I wrote 'Are You There God? It's Me, Margaret' right out of my own experiences and my own feelings when I was in sixth grade.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
The environment itself will teach the child, if every error he makes is manifest to him, without the intervention of a parent of teacher, who should remain a quiet observer of all that happens.
Hogwarts, Hogwarts, Hoggy Warty Hogwarts, Teach us something please, Whether we be old and bald, Or young with scabby knees, Our heads could do with filling With some interesting stuff, For now they're bare and full of air, Dead flies and bits of fluff, So teach us something worth knowing, Bring us back what we've forgot, Just do your best, we'll do the rest, And learn until our brains all rot.
I will not go down to posterity talking bad grammar.
Rather, very, little, pretty - these are the leeches that infest the pond of prose, sucking the blood of words. The constant use of the adjective little (except to indicate size) is particularly debilitating; we should all try to do a little better, we should all be very watchful of this rule, for it is a rather important one, and we are pretty sure to violate it now and then.
Teach and practice, practice and teach - that is all we have; that is all we are good for; that is all we ever ought to do.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
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