I saw that I could not afford the luxury of just being an actress. So I made a choice to use my career as a platform to address the issues of the race I was born into.
Cicely TysonRead
How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.
Interpretation
Understanding a character requires immersion in their environment.
Cicely Tyson emphasizes the importance of experiencing a character's background and environment to authentically portray them. She believes that traveling to the location, engaging with the community, and experiencing the sights and sounds helps an actor capture the essence of their role more genuinely.
In practice
In a workshop on acting, this quote can be used to illustrate the importance of research and immersive experiences.
I saw that I could not afford the luxury of just being an actress. So I made a choice to use my career as a platform to address the issues of the race I was born into.
I don't think you can measure wealth in dollars and cents. I really don't believe that at all because there are some things that money cannot buy. One of them is health. And the other is security in your relationships and friends.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
Unless a piece really said something, I had no interest in it. I have got to know that I have served some purpose here.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
We have to support our own films. If we don't, how can we expect others to support them?
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
What is Art? It is the response of man's creative soul to the call of the Real.
The smallest feline is a masterpiece.
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