I saw that I could not afford the luxury of just being an actress. So I made a choice to use my career as a platform to address the issues of the race I was born into.
Cicely TysonRead
How do you project a character if you don't have a sense of where she is from? I've always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.
Interpretation
Understanding a character requires immersion in their environment.
Cicely Tyson emphasizes the importance of experiencing a character's background and environment to authentically portray them. She believes that traveling to the location, engaging with the community, and experiencing the sights and sounds helps an actor capture the essence of their role more genuinely.
In practice
In a workshop on acting, this quote can be used to illustrate the importance of research and immersive experiences.
I saw that I could not afford the luxury of just being an actress. So I made a choice to use my career as a platform to address the issues of the race I was born into.
I don't think you can measure wealth in dollars and cents. I really don't believe that at all because there are some things that money cannot buy. One of them is health. And the other is security in your relationships and friends.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
Unless a piece really said something, I had no interest in it. I have got to know that I have served some purpose here.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
We have to support our own films. If we don't, how can we expect others to support them?
You speak of Lord Byron and me; there is this great difference between us. He describes what he sees I describe what I imagine. Mine is the hardest task.
I really had no program or any established plan. I didn't even ask myself if I should sell my paintings or not.
When a man understands the art of seeing, he can trace the spirit of an age and the features of a king even in the knocker on a door.
I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
I've taken clowns into the war in Bosnia, the refugee camps of Kosovo, and none of those are any more important than clowning in a subway or an elevator or just walking down the street.
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