I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Robert CaroRead
I am trying to make clear through my writing something which I believe: that biography- history in general- can be literature in the deepest and highest sense of that term.
Interpretation
Biography can be a profound form of literature.
In this quote, Robert Caro expresses his belief that biography, and history at large, should not be viewed merely as factual accounts but rather as a form of literature that can evoke deep emotions and insights. He suggests that the stories of individuals and the events of the past hold significant literary value and can resonate with readers on a profound level.
In practice
In a book club discussion, one might use this quote to highlight the literary merits of a historical biography.
I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Long Island is shaped the way it is largely because of Robert Moses. Long Island is a perfect example of how political power shapes people's lives every day.
What would be the good of rushing? You want these books to last.
I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless
If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
I suppose you could say my father's world was Thomas Hardy and my mother's D.H. Lawrence.
The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.
All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
One of my biggest peeves is when the writer hasn't given you enough information to figure everything out. You should be able to go back to the beginning of 'Gone Girl,' after you've already read it and you know everything, and say, 'Check - check - yes, she gave us that information.'
Subscribe for the occasional hand-picked quote. No noise.