Literature is the most agreeable way of ignoring life.
Interpretation
Literature provides a pleasurable escape from the realities of life.
In this quote, Fernando Pessoa suggests that literature offers a delightful and enjoyable means of retreating from the challenges and harshness of real life. It implies that through reading or writing, individuals can engage in a different reality that serves as a refuge from their daily struggles, allowing them to momentarily ignore life's demands and complexities.
In practice
During a book club meeting, when discussing the impact of literature on our lives.
I have at this moment so many fundamental thoughts, so many truly metaphysical things to say, that I suddenly get tired and decide not to write any more, not to think any more, but to allow the fever of speaking to make me sleepy, and with my eyes closed, like a cat, I play with everything I could have said.
It's been months since I last wrote. I've lived in a state of mental slumber, leading the life of someone else. I've felt, very often, a vicarious happiness. I haven't existed. I've been someone else. I've lived without thinking.
We all have two lives: The true, the one we dreamed of in childhood And go on dreaming of as adults in a substratum of mist; the false, the one we love when we live with others, the practical, the useful, the one we end up by being put in a coffin.
I'm a man for whom the outside world is an inner Reality.
My dreams are a stupid refuge, like an umbrella against a thunderbolt.
The chill of what I won't feel gnaws at my present heart.
Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
Iβve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. Thereβs no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.
Literature is a defense against the attacks of life. It says to life: You can't deceive me. I know your habits, foresee and enjoy watching all your reactions, and steal your secret by involving you in cunning obstructions that halt your normal flow.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
Ah yes, the paradox of publicity is that even as we do it, we know it's killing off the chance of another reader happening across our book in the ideal state of innocence.
The central problem of novel-writing is causality.
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