I didn't know where my career was going to go. Somehow, people sensed that I have certain talents and cast me in these bizarre, off-beat roles, which I have no regret about. I've enjoyed playing every one of them.
Christopher LloydRead
When I go to Comic-Cons and people line up for autographs, so many people have a story about how they are moved, how they get tearful about what 'Back To The Future' meant to them.
Interpretation
The quote reflects the deep emotional impact that art, specifically film, can have on individuals.
Christopher Lloyd's quote highlights the profound connection that fans have with the films they love, particularly 'Back To The Future.' It emphasizes how narratives and characters can evoke strong emotions and personal stories, showing the powerful role of art in shaping experiences and memories in people's lives.
In practice
In a speech at a film festival, you might use this quote to discuss the importance of storytelling in cinema.
I didn't know where my career was going to go. Somehow, people sensed that I have certain talents and cast me in these bizarre, off-beat roles, which I have no regret about. I've enjoyed playing every one of them.
Whether it's a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.
I don't know exactly how I end up with some of these roles. It mystifies me sometimes, but I am a fan of sci-fi. I love being taken into a strange world, and when it's told with imagination and credibility, I love being taken on that trip. I always have.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
That’s one of the great things about music. You can sing a song to 85,000 people and they’ll sing it back for 85,000 different reasons.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
Everybody must have a fantasy.
A parallel between color and music can only be relative – just as a violin can give warm shades of tone, so yellow has shades, which can be expressed by various instruments.
Miller didn't write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That's the measure of its merit.
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