If you choose not to decide, you still have made a choice.
Neil PeartRead
Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.
Interpretation
The quote reflects the intense passion and obsession that can arise from pursuing an art form.
In this quote, Neil Peart describes how drumming consumed his life from a young age, illustrating the transformative power of music and the extent to which passion can dominate one's existence. It highlights a journey of deep emotional engagement where all other aspects of life fade away under the singular focus on mastering an art, showcasing both the beauty and potential isolation that can come from such dedication.
In practice
In a speech about the importance of following your passion, this quote perfectly illustrates how deep commitment can lead to extraordinary results.
If you choose not to decide, you still have made a choice.
The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
We don't make music, it makes us
Good writers borrow from other writers. Great writers steal from them outright.
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
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