We should attempt to bring nature, houses, and human beings together in a higher unity.
Create form out of the nature of the task with the means of our time. This is our work.
Interpretation
What this quote means
Emphasizes the importance of using available resources to shape work according to its inherent requirements.
This quote by Ludwig Mies Van Der Rohe underscores the concept that effective design and work should emerge naturally from the tasks at hand and the tools we have at our disposal. It reflects a philosophy that prioritizes the integration of form and function while adapting to the context in which one is operating, reiterating that the quality of our work is determined by how well we harmonize the nature of our tasks with the means available to us.
Themes
In practice
Example use cases
At an architecture seminar, this quote was used to inspire students to think about how to integrate their designs with their resources.
More from Ludwig Mies Van Der Rohe
All quotes βArchitecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Similar quotes
The smile that flickers on a babyβs lips when he sleeps- does anyone know where it was born? Yes, there is a rumor that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning.
The arts make vivid the fact that words do not, in their literal form or number, exhaust what we can know. The limits of our language do not define the limits of our cognition.
Actors search for rejection. If they don't get it they reject themselves.
I see my own style as being a symbiosis of the styles of Alekhine, Tal and Fischer.
The idea of old was to conform yourself to a style of cooking, it was not to create a style of cooking. Now the chef is so much into 'I want to sign that dish and say I am the one who made that dish.'
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.