Killing a man in defense of an idea is not defending an idea; it is killing a man.
Jean-Luc GodardRead
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Interpretation
Documentary and fiction are interconnected, with reality enriching the creative process.
In this quote, Jean-Luc Godard suggests that creating documentaries requires a grounding in fiction, highlighting the relationship between the two genres. He emphasizes that to craft impactful fiction, one must draw inspiration and insights from reality, illustrating the cyclical nature of creativity where reality informs imaginative storytelling and vice versa.
In practice
In a film class, to illustrate the creative process, you might quote this while discussing the relationship between documentaries and fiction.
Killing a man in defense of an idea is not defending an idea; it is killing a man.
I don't think you should feel about a film. You should feel about a woman, not a movie. You can't kiss a movie.
Sometime reality is too complex. Stories give it form.
More or less, I am always saying, 'Give me more. Let's do what has not been done.'
Objects exist and if one pays more attention to them than to people, it is precisely because they exist more than the people. Dead objects are still alive. Living people are often already dead.
Cinema is not a series of abstract ideas, but rather the phrasing of moments.
I realized at a young age that sequence in an album is almost as important as the songs that are on the album.
With any part you play, there is a certain amount of yourself in it. There has to be, otherwise it's just not acting. It's lying.
Everything is raw material. Everything is relevant. Everything is usable. Everything feeds into my creativity. But without proper preparation, I cannot see it, retain it, and use it.
Writing is my vacation from living.
This much we know: Journalism is not a precise science. It's, on its best day, is a crude art. We make mistakes; I make mistakes. With more than 50 years as a journalist, I have at least had the opportunity to blow more stories, make more mistakes than maybe anybody in television.
It's possible for me to make a bad movie out of a good script, but I can't make a good movie from a bad script.
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