They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.
Interpretation
Art can inform us but may not free us; its creators' politics can provoke but not enlighten.
David Mamet's quote suggests that while artistic experiences can provide insights into everyday life and the creator's political viewpoints, they ultimately lack the power to liberate our minds or provide true enlightenment. Instead, such experiences may serve to divert attention or provoke emotions without offering a deeper understanding of reality.
In practice
In a discussion about the impact of social art on society.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
So I have no grounds to complain; on the contrary, writers should consider the condition of permanent controversiality to be invigorating, part of the risk envolved in choosing the profesión. It is a fact of life that writers have always and with due consideration and great pleasure spit in the soup of the high and mighty. That is what makes the history of literature analogous to the development and refinement of censorship.
The artist must bow to the monster of his own imagination.
Clever of me to become a critic. We critics scrutinize and show off to a higher end. For a greater good. Our manners, our tastes, our declarations are welcomed. Superior for life. Except when we're not. Except when we're dismissed or denounced as envious or petty, as derivatives and dependents by nature. Second class for life.
Style is wearing an evening dress to McDonald's, wearing heels to play football. It is personality, confidence and seduction.
It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
We learn how to kiss, or to drink, talk to our buddies-all the things that you can't really teach in social studies or history-we all learn them at the movies.
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