Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Roger EbertRead
We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars.
Interpretation
Our emotions are deeply connected to both our ideas and reality, allowing us to experience profound feelings from fiction.
This quote by Roger Ebert emphasizes the powerful emotional connection we have with ideas and narratives, similar to how we connect with real-life experiences. It highlights the ability to feel genuine emotions, such as joy, sadness, or love, through storytelling in books and films, proving that the fictional world can evoke as strong a reaction as real life.
In practice
During a book club discussion, to describe why a particular character's arc resonated so deeply with the group.
Socrates told us, "the unexamined life is not worth living." I think he's calling for curiosity, more than knowledge. In every human society at all times and at all levels, the curious are at the leading edge.
Vincent Gallo has put a curse on my colon and a hex on my prostate. He called me a 'fat pig' in the New York Post and told the New York Observer I have 'the physique of a slave-trader.' He is angry at me because I said his 'The Brown Bunny' was the worst movie in the history of the Cannes Film Festival... _x000D_ it is true that I am fat, but one day I will be thin, and he will still be the director of 'The Brown Bunny.'
I was born inside the movie of my life. The visuals were before me, the audio surrounded me, the plot unfolded inevitably but not necessarily. I don't remember how I got into the movie, but it continues to entertain me.
Why do alcoholics begin down the same hazardous road day after day? They are in search of that elusive window of well-being that opens when you drink your way out of a hangover and aren't yet drunk all over again. The alcoholic's day consists of trying to keep that window open.
There are no guarantees. But there is also nothing to fear. We come from oblivion when we are born. We return to oblivion when we die. The astonishing thing is this period of in-between.
Parents and schools should place great emphasis on the idea that it is all right to be different. Racism and all the other 'isms' grow from primitive tribalism, the instinctive hostility against those of another tribe, race, religion, nationality, class or whatever. You are a lucky child if your parents taught you to accept diversity.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
The singers who are the most honest are the ones who become immortalized.
To hell with reality! I want to die in music, not in reason or in prose. People don't deserve the restraint we show by not going into delirium in front of them. To hell with them!
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Well, in the '80s and '70s, with the exception of Sidney Poitier and Brock Peters, maybe Ivan Dixon, if you were as big and black as I am, you were a bad guy. Simple. Because in real life, I scare people.
I write what I don't know. It's way more interesting.
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