I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
Bill DukeRead
Well, in the '80s and '70s, with the exception of Sidney Poitier and Brock Peters, maybe Ivan Dixon, if you were as big and black as I am, you were a bad guy. Simple. Because in real life, I scare people.
Interpretation
The quote reflects on the racial stereotypes and challenges faced by Black actors in Hollywood during the 70s and 80s.
Bill Duke's quote highlights the limited roles available for Black actors during the 1970s and 1980s, often relegating them to portrayals of antagonists due to societal fears and prejudices. He emphasizes how the perception of Black men, particularly those who are large and strong, influenced casting decisions and showed the deep-seated issues of racism in the film industry at the time.
In practice
In a speech addressing diversity in Hollywood, one could use this quote to illustrate the historical challenges faced by Black actors.
I'm an American, but being a black American, my experience is a particular one, my struggles have been particular.
By healing the internal issues that we can heal as a people, our children don't have to suffer the same agony and pain that we put each other through.
It really upsets me that the media insists on turning 'Do the Right Thing' or 'Boyz N the Hood' into 'black films.' They are American films. They may open the window on the black experience, but they had things to say to everybody. That's why they were so successful.
My parents never let the color of our skin be an excuse for why we did not succeed.
Dark skin is considered less than light skin in the in the minds of many in our community and in the media.
The core of my writing is not art but truth.
The seeming significance of nature's appearances, their unchanging strangeness to the senses, and the thrilling response which they awaken in the mind of man . . . If we could only write near enough to the facts, and yet with no pedestrian calm, but ardently, we might transfer the glamour of reality direct upon our pages.
The ideas of the great playwrights are almost always larger than the experiences of even the best actors.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
Books arrive in my head all at once, and then it becomes an 18-month process of getting it all down on paper.
Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors.
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