I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city.
Toyo ItoRead
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
Interpretation
Toyo Ito aims to blend solid architectural designs with elements that evoke a sense of lightness and ethereality.
In this quote, Toyo Ito expresses his intention to challenge the rigidity and permanence traditionally associated with architecture. He seeks to introduce elements that convey a sense of impermanence and delicacy, thereby creating spaces that feel both substantial and ethereal, reflecting a deeper interaction between physical structures and the intangible aspects of experience.
In practice
This quote can be used in a speech about modern architectural philosophy.
I would like to use architecture to create bonds between people who live in cities, and even use it to recover the communities that used to exist in every single city.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
I would like to be a one-man multinational fashion phenomenon.
To write a book is for all the world like humming a songβbe but in tune with yourself, madam, 'tis no matter how high or how low you take it.
Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
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