My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
Lupita Nyong'ORead
I give myself homework when I have an audition. I give myself goals, and that's how I check how I'm doing. It can be something simple like 'listen,' or 'find your feet.' And then afterward it's an assessment, so in a way it's not about booking the job or not. It's about what I learned as an actor about that character.
Interpretation
The quote expresses the importance of self-assessment and learning in the process of acting.
In this quote, Lupita Nyong'o emphasizes the significance of personal goals and self-reflection in the acting process. Rather than solely focusing on the outcome of securing a role, she underscores the value of the experiences gained and lessons learned from each audition, suggesting that growth and understanding as an artist are paramount.
In practice
During a workshop for aspiring actors, I could use this quote to emphasize the importance of learning from experiences rather than just focusing on success.
My immediate family was always very supportive. It was my own fear of the rest of the world not accepting me, the rest of our society not accepting my wish to be an actor.
[My mother] always said I was beautiful and I finally believed her at some point.
What is fundamentally beautiful is compassion: for yourself and for those around you.
That you will feel the validation of your external beauty but also get to the deeper business of being beautiful inside. There is no shade in that beauty.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
I write about characters that interest me. And I don't think of my books as being forms of entertainment.
An artist observes, selects, guesses, and synthesizes.
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.
Many really good films allow us to empathize with other lives.
My work is always better when I am alone and follow my own impressions.
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