Good design is clear thinking made visible, bad design is stupidity made visible
Edward TufteRead
The best graphics are about the useful and important, about life and death, about the universe. Beautiful graphics do not traffic with the trivial.
Interpretation
This quote emphasizes the importance of creating graphics that convey significant and meaningful information rather than superficial aesthetics.
Edward Tufte highlights that the most impactful graphics are those that communicate essential truths and engage with profound themes such as life, death, and the universe. He suggests that true beauty in graphics arises from their capacity to convey important messages rather than merely looking visually appealing without substance.
In practice
In a presentation on graphic design principles, one might quote this to stress the need for meaning over mere aesthetics.
Good design is clear thinking made visible, bad design is stupidity made visible
I have stared long enough at the glowing flat rectangles of computer screens. Let us give more time for doing things in the real world...plant a plant, walk the dogs, read a real book, go to the opera.
There is no such thing as information overload, just bad design. If something is cluttered and/or confusing, fix your design.
The minimum we should hope for with any display technology is that it should do no harm.
PowerPoint is like being trapped in the style of early Egyptian flatland cartoons rather than using the more effective tools of Renaissance visual representation.
If youβre told what to look for, you canβt see anything else.
I trust that if God gives me music for someone else, that's what He wants that person to have. I have to trust that that's what they're supposed to do and that's the music that should specifically be released for them and their ministry, for their career and for their audience.
Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.
Once it is out of his hand the artist has no control over the way a viewer will perceive the work. Different people will understand the same thing in a different way.
A writer's heart, a poet's heart, an artist's heart, a musician's heart is always breaking. It is through that broken window that we see the world.
I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.
A theatre, a literature, an artistic expression that does not speak for its own time has no relevance.
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