Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Daniel LibeskindRead
I believe that the idea of the totality, the finality of the master-plan, is misguided. One should advocate a gradual transformation of public space, a metamorphic process, without relying on a hypothetical time in the future when everything will be perfect. The mistake of planners and architects is to believe that fifty years from now Alexanderplatz will be perfected. -p.197
Interpretation
The concept of a perfect future plan is flawed; instead, we should embrace gradual change.
Daniel Libeskind argues against the idea of a definitive, perfected vision for public spaces in the future, suggesting that planners and architects often make a mistake by fixating on an ideal outcome. He emphasizes the importance of accepting the ongoing process of transformation, highlighting that spaces evolve over time and should be approached as a continuous journey rather than a static goal.
In practice
In a discussion about urban development, one might quote Libeskind to advocate for adaptive planning.
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Architecture is not just for the moment, it is not just for the next fashion magazine.
And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Sometimes human places, create inhuman monsters.
Never speak to an invalid from behind, nor from the door, nor from any distance from him, nor when he is doing anything. The official politeness of servants in these things is so grateful to invalids, that many prefer, without knowing why, having none but servants about them.
We cannot restore integrity and morality to our society until each of us-singly and individually-takes responsibility for our actions.
for 100,000 (dollars), you [can] flatten a house with a wrecking ball. Imagine how much less it [takes] to destroy something than it [does] to build it in the first place.
A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection - not an invitation for hypnosis.
Humankind can't stand too much reality.
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