It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Alain De BottonRead
When I'm writing, I write all day. Other days, I sit around thinking. Or I run around from one meeting to another, out in the world. It varies, and I like that.
Interpretation
Creativity is a balance of active writing and reflective thinking.
In this quote, Alain De Botton emphasizes the varying nature of the creative process. He conveys that writing is not solely about being productive at a desk; it also involves moments of contemplation and engagement with the world, suggesting that inspiration can be found in both rigorous activity and thoughtful reflection.
In practice
During a writing workshop, I shared this quote to illustrate the importance of balancing productivity with reflection.
It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
Good books put a finger on emotions that are deeply our own - but that we could never have described on our own.
The challenge of modern relationships: how to prove more interesting than the other's smartphone.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
The genesis of a poem for me is usually a cluster of words. The only good metaphor I can think of is a scientific one: dipping a thread into a supersaturated solution to induce crystal formation. I don't think I solve problems in my poetry; I think I uncover the problems.
It is the duty of the younger Negro artist . . . to change through the force of his art that old whispering "I want to be white," hidden in the aspirations of his people, to "Why should I want to be white? I am a Negro - and beautiful!"
Geniuses can be scintillating and geniuses can be somber, but it's that inescapable sorrowful depth that shines through-originality.
How well I would write if I were not here!
There are things which some people never attempt during their whole lives, but one of these is not poetry. Poetry attacks all human beings sooner or later, and, like the measles, is mild or violent according to the age of the sufferer.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
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