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I'm not an interviewer. I have conversations.
Werner Herzog
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Interpretation

What this quote means

True conversation goes beyond formal interviews, emphasizing connection and understanding.

Werner Herzog's quote highlights the distinction between traditional interviewing and engaging in meaningful conversations. It suggests that genuine dialogue fosters a deeper connection and facilitates a better understanding between individuals, as it prioritizes authenticity and the exchange of ideas over mere question-and-answer formats.

Themes

ConversationCommunicationAuthenticityConnectionDialogue

In practice

Example use cases

In a workshop on communication skills, this quote can illustrate the importance of connecting with others authentically.

More from Werner Herzog

Perseverance has kept me going over the years. Things rarely happen overnight. Filmmakers should be prepared for many years of hard work. The sheer toil can be healthy and exhilarating.
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Hold firm to your vision but don't be a tyrant on set.
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For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
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Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.
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Without dreams we would be cows in a field, and I don't want to live like that. I live my life or I end my life with this project.
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Coincidences always happen if you keep your mind open, while storyboards remain the instruments of cowards who do not trust in their own imagination and who are slaves of a matrix If you get used to planning your shots based solely on aesthetics, you are never that far from kitsch.
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Whenever you speak to someone, you are presuming the two of you have a certain degree of familiarity - which your words might alter. So every sentence has to do two things at once: convey a message and continue to negotiate that relationship.
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And it occurred to me that in this new millennial life of instant and ubiquitous connection, you don't in fact communicate so much as leave messages for one another, these odd improvisational performances, often sorry bits and samplings of ourselves that can't help but seem out of context. And then when you do finally reach someone, everyone's so out of practice or too hopeful or else embittered that you wonder if it would be better not to attempt contact at all.
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