At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
Elmore LeonardRead
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
Interpretation
This quote emphasizes the importance of rhythm in writing, akin to the rhythm found in jazz music.
Elmore Leonard highlights the connection between writing and musical rhythm, suggesting that effective dialogue and narrative should flow with a certain beat, much like jazz. This comparison illustrates how rhythm can enhance the emotional impact and readability of writing, creating a more engaging experience for the reader.
In practice
During a writing workshop, this quote could be used to encourage participants to consider the musicality of their prose.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
Walks work for me. I enter some arena that is neither conscious or unconscious.
I'm a Method actor. I spent years training for the drinking and carousing I had to do in this film.
Sometimes I get it right and I sometimes I get it wrong. But fashion is all about having fun. I think fashion has been hijacked by the fashion industry creating rules on what one should wear and I feel like breaking the mold and seeing that the world won’t crumble.
In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language.
Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
Didn't you tie the mittens on her feet (Wednesday Evening's) extra special nice? Yes--she is an extra special nice pigeon. She cries for pity when she wants pity. And she shuts her eyes when she doesn't want to look at you. And if you look deep in her eyes when her eyes are open you will see lights there exactly like the lights on the pastures and the meadows when the mist is drifting on a Wednesday evening just between the twilight and gloaming.
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