At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
Elmore LeonardRead
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
Interpretation
This quote emphasizes the importance of rhythm in writing, akin to the rhythm found in jazz music.
Elmore Leonard highlights the connection between writing and musical rhythm, suggesting that effective dialogue and narrative should flow with a certain beat, much like jazz. This comparison illustrates how rhythm can enhance the emotional impact and readability of writing, creating a more engaging experience for the reader.
In practice
During a writing workshop, this quote could be used to encourage participants to consider the musicality of their prose.
At the time I begin writing a novel, the last thing I want to do is follow a plot outline. To know too much at the start takes the pleasure out of discovering what the book is about.
If you take a few days to write an outline, you're just making up scenes that you think will work, that you think will be interesting. But as you write it, other ideas occur - better ideas that have to do with what you're writing.
A friend of mine who is in the publishing business knew I was writing a book, and he said, 'Have you said anything yet about the good guy? Because I know you spend so much time with the bad guys.' Because they're fun. So then you have to make the good guy fun, in order to compete. That's the challenge.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
Sometimes female characters start out as the wife or girlfriend, but then I realize, 'No, she's the book,' and she becomes a main character. I surrender the book to her.
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
Personally I think that grammar is a way to attain Beauty. When you speak, or read, or write, you can tell if you've spoken or read or written a fine sentence. You can recognise a well-tuned phrase or an elegant style. But when you are applying the rules of grammar skilfully, you ascend to another level of the beauty of language. When you use grammar you peel back the layers, to see how it is all put together, to see it quite naked, in a way.
I love amazing people. I love dazzling them. That's why I think performing magic is one of the greatest things a person can do.
I want to know one thing, what is color?
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
Every authentic poem contributes to the labor of poetry... to bring together what life has separated or violence has torn apart... Poetry can repair no loss, but it defies the space which separates. And it does this by its continual labor of reassembling what has been scattered.
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