If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
Imagine writing a poem with a sweating, worried-looking boy handing you a different pencil at the end of every word. My golf, you may say, is no poem; nevertheless, I keep wanting it to be one.
Interpretation
This quote reflects the struggle of artistic creation and the desire for it to be perfect, despite inherent challenges.
In this quote, John Updike uses the metaphor of a boy delivering a different pencil for each word to illustrate the difficulties and frustrations that can accompany the creative process. The comparison of golf to poetry suggests that while he may not consider his golf a form of art, he still longs for it to be beautiful and meaningful, highlighting the inherent aspiration of creators to elevate their work to something greater.
In practice
This quote can be used in a discussion about the artistic process in a workshop.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
As it grows ever more complicated today, musical art seeks out combinations more dissonant, stranger, and harsher for the ear. Thus, it comes ever closer to the noise-sound.
Artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
We have no longer an outside and an inside as two separate things. Now the outside may come inside and the inside may and does go outside. They are of each other. Form and function thus become one in design and execution if the nature of materials and method and purpose are all in unison.
An idea is a feat of association, and the height of it is a good metaphor.
IN CINEMA IT IS NECESSARY NOT TO EXPLAIN, BUT TO ACT UPON THE VIEWER'S FEELINGS, AND THE EMOTION WHICH IS AWOKEN IS WHAT PROVOKES THOUGHT.
From a technical viewpoint, I have certain things I'd like to present in my solos. To do this, I have to get the right material. It has to swing, and it has to be varied.
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