Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
Lillian HellmanRead
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
Interpretation
The joy of writing plays surpasses the satisfaction of watching them performed, though the audience's response is incredibly rewarding.
Lillian Hellman's quote captures the dual nature of a playwright's experience. Creating plays brings a profound sense of fulfillment, yet the real joy often blooms when witnessing an audience engage with the work live. It emphasizes the unique connection and emotional reward that comes from seeing one's creations come to life, and how that response is irreplaceable compared to reading from a script.
In practice
A playwright may use this quote during a talk at a theater festival to emphasize the connection between artist and audience.
Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
By close-ups of the things around us, by focusing on hidden details of familiar objects, by exploring commonplace milieus under the ingenious guidance of the camera, the film, on the one hand, extends our comprehension of the necessities which rule our lives; on the other hand, it manages to assure us of an immense and unexpected field of action.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will.
Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what the client asks and reinterpret it.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
Two questions I can't really answer about fiction are 1) where it comes from, and 2) why we need it. But that we do create it and also crave it is beyond dispute.
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