Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
Lillian HellmanRead
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
Interpretation
The joy of writing plays surpasses the satisfaction of watching them performed, though the audience's response is incredibly rewarding.
Lillian Hellman's quote captures the dual nature of a playwright's experience. Creating plays brings a profound sense of fulfillment, yet the real joy often blooms when witnessing an audience engage with the work live. It emphasizes the unique connection and emotional reward that comes from seeing one's creations come to life, and how that response is irreplaceable compared to reading from a script.
In practice
A playwright may use this quote during a talk at a theater festival to emphasize the connection between artist and audience.
Was it always my nature to take a bad time and block out the good times, until any success became an accident and failure seemed the only truth?
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
It is best to act with confidence, no matter how little right you have to it.
If you believe, as the Greeks did, that man is at the mercy of the gods, then you write tragedy. The end is inevitable from the beginning. But if you believe that man can solve his own problems and is at nobody's mercy, then you will probably write melodrama.
Nobody knows what you want except you. And nobody will be as sorry as you if you don't get it. Wanting some other way to live is proof enough of deserving it. Having it is hard work, but not having it is sheer hell.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
She devoured stories with rapacious greed, ranks of black marks on white, sorting themselves into mountains and trees, stars, moons and suns, dragons, dwarfs, and forests containing wolves, foxes and the dark.
Everybody thinks they know what art should be. But very few of them have the sense that is necessary to experience painting, that is the sense of sight, that sees colors and forms as living reality in the picture.
Style is something each of us already has, all we need to do is find it.
I love performing outside because it's as if the heavens are open and the elements become part of the stage show as well - you know, the wind and the rain and the thunder. It's almost as if there's a sense of invocation in performance.
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
Nothing, of course, will ever take the place of the good old fashion of 'liking' a work of art or not liking it; the more improved criticism will not abolish that primitive, that ultimate, test.
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