Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael HanekeRead
I’ve been accused of ‘raping’ the audience in my films, and I admit to that freely — all movies assault the viewer in one way or another.
Interpretation
The quote discusses the provocative nature of filmmaking and the impact it has on the audience.
Michael Haneke acknowledges that cinema has an intrinsic ability to challenge, disturb, and affect viewers deeply, a process that can be perceived as 'assaulting' their senses or emotions. He emphasizes that this relentless engagement is a fundamental aspect of the medium, insinuating that all films provoke reactions and invite audiences to confront uncomfortable themes and realities.
In practice
Discussing the role of filmmakers in a film studies class.
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
All movies assault the viewer in one way or another.
An artist is someone who should raise questions rather than give answers. I have no message.
It's the duty of art to ask questions, not to provide answers. And if you want a clearer answer, I'll have to pass.
At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
In the great glasshouses streaming with condensation, the children in mourning-dress beheld marvels.
Any writer worth his salt writes to please himself.
Prose is something that is persistent in staying in one place long enough to not only zero in on the dramatic effect of something that might have happened, or something that might have been seen, but also in watching how it played out and thinking about the cause and the effect.
The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
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