I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
Jimmy PageRead
I've played guitar in so many different styles, and I want to revisit them all.
Interpretation
This quote reflects a desire to explore and appreciate the diverse styles of guitar music.
Jimmy Page expresses a longing to revisit and reconnect with the various styles of guitar playing he has experienced throughout his career. This sentiment encompasses a deep appreciation for musical diversity and the richness that different styles can bring to a musician's repertoire.
In practice
A musician reflecting on their career during an interview might use this quote to highlight their journey.
I believe every guitar player inherently has something unique about their playing. They just have to identify what makes them different and develop it.
Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
I can communicate far better on a guitar than I can through my mouth.
I wanted to emulate music from America - young punks playing rock n' roll is what it was. I read part of Keith Richards' autobiography, and it was totally parallel with me, learning from American records.
I'm involved in all things musical. It's all consuming, even if it doesn't necessarily manifest as a record or a concert.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
I don't write for children. I write and someone says it's for children.
This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty... what you will.
I don't think in art there is ever a precedent; each moment is a new one and terrifying and threatening and bursting with hope.
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
The original sense of the word 'influence' is 'to flow into.' For the most part, these writers that I admire... their style flows into me without my intervention, which is what explains the broad range of writers who I've been compared with; it reflects my reading.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
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