People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
I was saying as a joke the other day that I love film editing, I know how to cut a picture, I think I know how to shoot it, but I don't know how to light it. And I realize it's because I didn't grow up with light. I grew up in tenements.
Interpretation
This quote expresses a deep appreciation for film editing while also acknowledging a lack of knowledge in lighting due to one's upbringing.
Martin Scorsese reflects on his passion for film editing and shooting, while candidly admitting his unfamiliarity with lighting techniques. He attributes this gap in skills to his childhood environment, suggesting that our experiences and upbringing significantly influence our creative abilities and knowledge in various fields.
In practice
This quote could be used in a motivational speech about pursuing creative passions despite one's background.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
Censorship is to art as lynching is to justice.
Angel and Muse approach from without; the Angel sheds light and the Muse gives form (Hesiod learned of them). Gold leaf or chiton-folds: the poet finds his models in his laurel coppice. But the Duende, on the other hand, must come to life in the nethermost recesses of the blood.
It's absolutely crucial to maintain my life as a poet.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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