I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
Cynthia OzickRead
I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.
Interpretation
The author prefers silence and isolation when writing, avoiding contemporary influences to maintain clarity.
Cynthia Ozick expresses the importance of solitude and a clear mental space while writing. She believes that contemporary fiction introduces too many competing ideas and voices that can clutter her own creativity, hence she turns to the classics for inspiration, as they do not disrupt the silence she seeks for her writing process.
In practice
A writer's workshop discussing the importance of personal voice in writing.
I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
I'm not afraid of facts, I welcome facts but a congeries of facts is not equivalent to an idea. This is the essential fallacy of the so-called "scientific" mind. People who mistake facts for ideas are incomplete thinkers; they are gossips.
Above all, a book is a riverbank for the river of language. Language without the riverbank is only television talk - a free fall, a loose splash, a spill.
An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years, it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth.
A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
The essential thing is to WANT to sing. This then is a song. I am singing.
Writing! The activity for which the only adequate bribe is the possibility of suicide, one day.
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of disappear without a trace. There's no accounting for it. Something connects, or something doesn't.
Hip Hop was supposed to be this new thing that had no boundaries and was so different to everyday music. As long as it has soul to it, hip hop can live on.
Artists are meant to be madmen, to disturb and shock us.
Pictures deface walls more often than they decorate them.
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