I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
Cynthia OzickRead
A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?
Interpretation
This quote reflects on the influences and experiences that shape a writer's identity and creativity.
Cynthia Ozick's quote captures the intricate journey of a writer's life, where a multitude of external influences such as stories, familial connections, and even the mundane objects around them play a crucial role in their development. It emphasizes the transformative power of experiences, both magical and everyday, in shaping one's creative expression and sense of self, ultimately leading to the moment of writing as both a reflection of the past and an exploration of the unknown future.
In practice
This quote could inspire aspiring writers at a creative writing workshop.
I don't agree with the sentiment 'write what you know.'... I think one should write what one doesn't know. The world is bigger and wider and more complex than our small subjective selves. One should prod, goad the imagination.
I'm not afraid of facts, I welcome facts but a congeries of facts is not equivalent to an idea. This is the essential fallacy of the so-called "scientific" mind. People who mistake facts for ideas are incomplete thinkers; they are gossips.
Above all, a book is a riverbank for the river of language. Language without the riverbank is only television talk - a free fall, a loose splash, a spill.
An article can be timely, topical, engaged in the issues and personalities of the moment; it is likely to be stale within the month. In five years, it may have acquired the quaint aura of a rotary phone. An article is usually Siamese-twinned to its date of birth.
No one can teach writing, but classes may stimulate the urge to write. If you are born a writer, you will inevitably and helplessly write. A born writer has self-knowledge. Read, read, read. And if you are a fiction writer, don't confine yourself to reading fiction. Every writer is first a wide reader.
I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.
The production of a work of art is determined by the material and intellectual climate in which a man lives and dies.
Art is an experience, not an object.
We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
I became a human jukebox, learning all these songs I'd always known, discovering the basics of what I do. The cathartic part was in the essential act of singing. When is it that the voice becomes an elixir? It's during flirting, courtship, sex. Music's all that.
Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul.
Music helps you find the truths you must bring into the rest of your life.
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