God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
D. H. LawrenceRead
Rippling, rippling, rippling, like a flapping overlapping of soft flames, soft as feathers, running to points of brilliance, exquisite, exquisite and melting her all molten inside.
Interpretation
This quote captures the beauty and intensity of emotions through evocative imagery.
D. H. Lawrence uses vivid and delicate imagery to express the complex and powerful sensations experienced within the depths of love and passion. The repetition of 'rippling' and the description of flames and feathers illustrate a fusion of softness and intensity, suggesting an overwhelming inner experience that captivates and transforms the individual.
In practice
In a poetry reading to emphasize the beauty of love's sensations.
God how I hate new countries: They are older than the old, more sophisticated, much more conceited, only young in a certain puerile vanity more like senility than anything.
A young man is afraid of his demon and puts his hand over the demon's mouth sometimes and speaks for him. And the things the young man says are very rarely poetry.
And besides, look at elder flowers and bluebells-they are a sign that pure creation takes place - even the butterfly. But humanity never gets beyond the caterpillar stage -it rots in the chrysalis, it never will have wings.It is anti-creation, like monkeys and baboons.
The Christian fear of the pagan outlook has damaged the whole consciousness of man.
The cosmos is a vast living body, of which we are still parts. The sun is a great heart whose tremors run through our smallest veins. The moon is a great nerve center from which we quiver forever. Who knows the power that Saturn has over us, or Venus? But it is a vital power, rippling exquisitely through us all the time.
... he preferred his own madness, to the regular sanity. He rejoiced in his own madness, he was free. He did not want that old sanity of the world, which was become so repulsive. He rejoiced in the new-found world of his madness. It was so fresh and delicate and so satisfying.
The more one studies the harmony of music, and then studies human nature, how people agree and how they disagree, how there is attraction and repulsion, the more one will see that it is all music.
In all the creative work that I have done, what has come first is a problem, a puzzle involving discomfort.
The understanding of art depends finally upon one's willingness to extend one's humanity and one's knowledge of human life.
The only music I don't like is bad music.
I remember the first year at the Game Developers Conference I wore these big red giant knee-high boots. Nobody cared. You can wear anything you love, because that's what you do in games. You make yourself who you want to be.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
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