Of the widow's countless death-duties there is really just one that matters: on the first anniversary of her husband's death the widow should think I kept myself alive.
Joyce Carol OatesRead
When you are writing literary writing, you are communicating something subtextual with emotions and poetry. The prose has to have a voice; it's not just typing. It takes a while to get that voice.
Interpretation
Literary writing involves expressing deeper emotions and finding a unique voice rather than merely typing words.
In this quote, Joyce Carol Oates emphasizes that literary writing transcends the mechanical act of typing. It requires a profound connection to emotions and a poetic sensibility, allowing the writer to convey subtext and craft a distinct voice that resonates with readers. This process of developing such a voice and emotional depth takes time and dedication.
In practice
During a writing workshop, you could share this quote to emphasize the emotional depth needed in literary writing.
Of the widow's countless death-duties there is really just one that matters: on the first anniversary of her husband's death the widow should think I kept myself alive.
I never really knew I wanted to 'be' a writer, but I was always writing from a very young age. It became more conscious as an ideal when I was in my twenties.
I'm drawn to write about upstate New York in the way in which a dreamer might have recurring dreams. My childhood and girlhood were spent in upstate New York, in the country north of Buffalo and West of Rochester. So this part of New York state is very familiar to me and, with its economic difficulties, has become emblematic of much of American life.
My writing is often a way of 'bearing witness' for others who lack the education and the opportunity to tell their own stories, so I hope that my writing won't be affected too much by my personal life.
The worst cynicism: a belief in luck.
. . . there is a wish in the heart of mankind to be distracted and confused. Truth is but one attraction, and not always the most powerful.
An often-repeated assertion in the body of film criticism I have written is the assertion that movies do not just mirror the culture of any given time; they also create it.
The violinist is that peculiarly human phenomenon distilled to a rare potency---half tiger,half poet.
Certainly, the Hollywood cinema, there's almost nothing of interest coming out of there.
There are only a few notes. Just variations on a theme.
Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.
Governments have always been wary of the arts because they're wayward and ambiguous and because they deal with feelings rather than facts.
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