Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
Natasha TretheweyRead
For a long time, I've been interested in cultural memory and historical erasure.
Interpretation
Cultural memory shapes our identity, and its absence can lead to gaps in understanding our history.
In this quote, Natasha Trethewey speaks to the significance of cultural memory and the consequences of historical erasure. She implies that our understanding of identity and heritage is deeply tied to the memories and narratives we preserve or forget, highlighting the importance of acknowledging and honoring diverse histories to foster a more inclusive understanding of the past.
In practice
In a lecture on social justice, one might use this quote to emphasize the importance of preserving diverse histories.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.'
The very notion of Great Britain's 'greatness' is bound up with empire. Euro-scepticism and Little Englander nationalism could hardly survive if people understood whose sugar flowed through English blood and rotted English teeth.
Cleopatra had one great advantage. She lived at a time when female sovereigns were not anomalies. And when women enjoyed rights they would not again enjoy for another 2,000 years. You could call them early feminists, if I may use a dirty word.
The source known as Deep Throat provided a kind of road map through the scandal. His one consistent message was that the Watergate burglary was just the tip of the iceberg.
To forget a Holocaust is to kill twice
Thousand got away to other countries; thousands returned to Spain tempted by false promises of kindness. By the tens of thousands, these Spaniards died of neglect in the concentration camps.
In the Shadow of Slavery covers two and a half centuries of black life in New York City, and skillfully interweaves the categories of race and class as they affected the formation of African American identity. Leslie Harris has made a major contribution to our understanding of the black experience.
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