Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
Natasha TretheweyRead
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
Interpretation
The quote reflects on how memory and history influence personal relationships and political choices.
In this quote, Natasha Trethewey identifies herself as an elegiac poet, suggesting that her work deals with themes of memory, race, and the weight of historical events. She emphasizes the complexity of grappling with our past and how it can affect our interactions with others and our decision-making in society, highlighting the interplay between personal and collective memory in shaping our identities and relationships.
In practice
A speaker discussing the impact of historical events on current social dynamics.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
For a long time, I've been interested in cultural memory and historical erasure.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.'
There is no need to invent an ego that is separate from the divine if our basic human nature is trusted. If we trust ourselves, we know how to avoid interfering with nature and how to live in harmony. When we know God as an unseen, loving, and accepting power at the heart of everything, allowing us to make our own choices, then God is a trusted part of our nature.
When most people said "I'm psychic, you see," they meant "I have an overactive but unoriginal imagination/wear black nail varnish/talk to my budgie;" when Anathema said it, it sounded as though she was admitting to a hereditary disease which she'd much prefer not to have.
The mystery of human destiny is that we are fated, but that we have the freedom to fulfill or not fulfill our fate: realization of our fated destiny depends on us. While inhuman beings like the cockroach realize the entire cycle without going astray because they make no choices.
What cannot be talked about cannot be put to rest. And if it is not, the wounds will fester from generation to generation.
When I became convinced that the universe is natural, that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell. The dungeon was flooded with light and all the bolts and bars and manacles became dust.
Become major, Paul. Live like a hero. That's what the classics teach us. Be a main character. Otherwise what is life for?
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