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Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
Natasha Trethewey
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Interpretation

What this quote means

The quote reflects the poet's struggle to fully immerse in experiences while simultaneously documenting them.

Natasha Trethewey expresses the tension between experiencing life and capturing it through writing. She likens her poetic process to being a tourist, where the act of documenting—whether through notes or photographs—can sometimes hinder one's ability to fully engage with the moment. This highlights the complexities of creativity and memory, revealing how art can serve both as a means of preservation and a barrier to genuine experience.

Themes

PoetryExperienceMemoryDocumentationArtCreativity

In practice

Example use cases

In a poetry reading, one might use this quote to illustrate the challenges of capturing emotions.

More from Natasha Trethewey

Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
Natasha TretheweyRead
I've been telling my students, 'Imitate, imitate.' And they say, 'Well, what if I plagiarize, or what if I'm not original? I want to be myself.' And I always tell them, 'Your self will shine through'... If you allow yourself to feel deeply and honestly, what you say won't be like anyone else.
Natasha TretheweyRead
I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
Natasha TretheweyRead
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
Natasha TretheweyRead
For a long time, I've been interested in cultural memory and historical erasure.
Natasha TretheweyRead
People always want to be on the right side of history; it is a lot easier to say, 'What an atrocity that was' then it is to say, 'What an atrocity this is.'
Natasha TretheweyRead

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Because subjects like literature and art history have no obvious material pay-off, they tend to attract those who look askance at capitalist notions of utility. The idea of doing something purely for the delight of it has always rattled the grey-bearded guardians of the state. Sheer pointlessness has always been a deeply subversive affair.
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