My parents are both college professors, and it made me want to question authority, standards and traditions.
Maya LinRead
A lot of my works deal with a passage, which is about time. I don't see anything that I do as a static object in space. It has to exist as a journey in time.
Interpretation
Maya Lin emphasizes that her artworks are dynamic experiences shaped by time rather than static objects.
This quote reflects Maya Lin's artistic philosophy, where she perceives her works as living experiences that evolve and engage with the passage of time. Instead of viewing art as fixed entities, she believes that the essence of her creations lies in their ability to convey a journey, capturing the temporal nuances that inform their meaning and context.
In practice
In a discussion about modern art, this quote could illustrate how contemporary artists explore the concept of time.
My parents are both college professors, and it made me want to question authority, standards and traditions.
I try to give people a different way of looking at their surroundings. That's art to me.
How we are using up our home, how we are living and polluting the planet is frightening. It was evident when I was a child. It's more evident now.
Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
I though about what death is, what a loss is. A sharp pain that lessens with time, but can never quite heal over. A scar. The idea occurred to me there on the site. Take a knife and cut open the earth, and with time the grass would heal it. As if you cut open the rock and polished it.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
She could walk through a lightning storm without being touched; grab a bolt of lightning in the palm of her hand; use the heat of lightning to start the kindling going under her medicine pot. She turned the moon into salve, the stars into swaddling cloth, and healed the wounds of every creature walking up on two or down on four.
I don't know what gives me more pleasure: watching my story unfold or going in and watching a room full of black people talking for me and writing words for black people.
Often a single experience will open the young soul to music for a whole lifetime
Each character I play has different dimensions. I'm not interested in words that pull them together.
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