I can never drive my car over a bridge without thinking of suicide. I can never look at a lake or an ocean without thinking of suicide.
Charles BukowskiRead
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
Interpretation
Bukowski critiques the quality of writing and the prevalence of unoriginality among many writers.
In this quote, Charles Bukowski reflects on his experience in the writing world, highlighting the issue of unoriginality among many writers who produce work filled with clichés and outdated themes. He emphasizes that despite the constant output of these writers, their work lacks true depth and creativity, often disguising their mediocrity through superficial stylistic choices.
In practice
In a writing workshop to encourage originality.
I can never drive my car over a bridge without thinking of suicide. I can never look at a lake or an ocean without thinking of suicide.
when I am feeling low all i have to do is watch my cats and my courage returns
The masses are always wrong...Wisdom is doing everything the crowd does not do. All you do is reverse the totality of their learning and you have the heaven they're looking for.
I'm going to open another vottle. not a vottle, but a bottle. you open it and I'll drink it. and you try to write as much as I did without falling off of your chair.
To experience real agony is something hard to write about, impossible to understand while it grips you; you're frightened out of your wits, can’t sit still, move, or even go decently insane.
I lapsed into my pathetic cut-off period. Often with humans, both good and bad, my senses simply shut off, they get tired, I give up. I am polite. I nod. I pretend to understand because I don’t want anybody to be hurt. That is the one weakness that has lead me into the most trouble. Trying to be kind to others I often get my soul shredded into a kind of spiritual pasta. No matter. My brain shuts off. I listen. I respond. And they are too dumb to know that I am not there.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
You can't read to yourself. It's your inner ear that hears a poem. If you hear a poet read his own work, it becomes very exciting. The melody is a great part of it.
The actual world, not some fantastic structure that has nothing to do with reality, must provide the material for modern poetry.
Looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. The energy and space around a material are as important as the energy and space within. The weather--rain, sun, snow, hail, mist, calm--is that external space made visible. When I touch a rock, I am touching and working the space around it. It is not independent of its surroundings, and the way it sits tells how it came to be there.
Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.
A writer is someone who can make a riddle out of an answer.
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