What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.
Interpretation
Shaw illustrates the powerful impact of well-written dialogue in theater.
In this quote, George Bernard Shaw conveys that each line in his plays is crafted with precision and intense purpose, similar to a bullet fired from a revolver. This metaphor suggests that the dialogue is dynamic and has the potential to leave a strong impression on the audience, highlighting the importance of impactful writing in performing arts.
In practice
In a speech about the importance of dramatic arts, one could quote Shaw to emphasize the power of words.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
You can watch someone on-stage cry and cry - but in the audience you feel nothing. It's easy to become indulgent. For me, what's important is the story first.
When you're writing with an artist or for an artist, you have to help them serve their vision. That's the cool part about writing songs. There are no rules.
Diversity of opinion about a work of art shows that the work _x000D_ is new, complex, and vital.
I'm just going to make the music I love to make, and I'm going to mature with my music.
The telling of stories, like singing and praying, would seem to be an almost ceremonial act, an ancient and necessary mode of speech that tends the earthly rootedness of human language. For narrated events always happen somewhere. And for an oral culture, that location is never merely incidental to those occurrences. The events belong, as it were, to the place, and to tell the story of those events is to let the place itself speak through the telling.
A classic lecture, rich in sentiment, With scraps of thundrous Epic lilted out By violet-hooded Doctors, elegies And quoted odes, and jewels five-words-long, That on the stretched forefinger of all Time Sparkle for ever.
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