The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
They ... asked me: 'How do you make your pictures?' I was puzzled ... I said, I don't know, it's not important.
Interpretation
The quote reflects the idea that the process of creation can be mysterious and not always articulable.
Henri Cartier-Bresson's quote expresses the perplexity experienced by artists when asked about their creative process. He suggests that rather than focusing on the method of creating art, the importance lies in the art itself and the emotions it evokes. This embodies the notion that creativity is often an instinctive and ineffable experience, rather than a scientific formula that can be easily explained.
In practice
In an art class, when discussing artistic intuition.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.
An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.
How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.
Conversation is an art in which a man has all mankind for his competitors, for it is that which all are practising every day while they live.
One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless. They have put into practice the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.
Speak the speech, I pray you, as I pronounced it to you-trippingly on the tongue; but if you mouth it, as many of your players do, I had as lief the town-crier spoke my lines. Nor do not saw the air too much with your hand, thus, but use all gently; for in the very torrent, tempest, and as I may say, the whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Subscribe for the occasional hand-picked quote. No noise.