Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
Interpretation
This quote reflects the idea that film allows creators to explore and construct unique realities that capture their imagination.
David Lynch emphasizes the power of film as a medium to create and explore fantastical or unusual worlds that exist only through the lens of the filmmaker's imagination. He suggests that these 'strange worlds' require effort and creativity to build and realize, highlighting the artistic process behind filmmaking and the importance of imagination in storytelling.
In practice
In a film discussion, to illustrate the importance of world-building in cinema.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
Some people create with words or with music or with a brush and paints. I like to make something beautiful when I run. I like to make people stop and say, 'I've never seen anyone run like that before.' It's more than just a race, it's a style. It's doing something better than anyone else. It's being creative.
The mark of all good art is not that the thing done is done exactly or finely, for machinery may do as much, but that it is worked out with the head and the workman's heart.
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the light around the shore.
Practically everybody in New York has half a mind to write a book, and does.
Everybody was wearing rhinestones, all those sparkly clothes, and cowboy boots. I decided to wear a black shirt and pants and see if I could get by with it. I did and I've worn black clothes ever since.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
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