Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
Interpretation
This quote reflects the idea that film allows creators to explore and construct unique realities that capture their imagination.
David Lynch emphasizes the power of film as a medium to create and explore fantastical or unusual worlds that exist only through the lens of the filmmaker's imagination. He suggests that these 'strange worlds' require effort and creativity to build and realize, highlighting the artistic process behind filmmaking and the importance of imagination in storytelling.
In practice
In a film discussion, to illustrate the importance of world-building in cinema.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
Fashion is everything that can pass fashionable
Every photograph is a certificate of presence.
I found a comfort in trying to solve some poetic problems because there were human ones I just couldn't solve.
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
When I'm writing, I write every day. It's lovely when that's happening. One day dovetailing into the next. Sometimes I don't even know what day of the week it is.
Acting is something I love. It's a great craft that I have a lot of respect for. But I don't think it's any greater challenge than teaching 8-year-olds or any other career. In my life, I try not to make it more important than it is and I just hope that rubs off on the people around me.
Subscribe for the occasional hand-picked quote. No noise.